David Lewis Productions is based in Amsterdam, New York and Hong Kong, with the main office in Amsterdam.
The company was founded by David Lewis in 1995, with the aim of creating an innovative and dynamic DJ agency, offering a professional service to all clients.
As the DJ industry grew, so did David Lewis Productions, and it has since grown into a committed, forward thinking artist booking/management company with a roster of internationally celebrated talent that is constantly evolving.
David Lewis Productions B.V.
Anthony Fokkerweg 61
1059 CP Amsterdam
The Netherlands
David Lewis Productions Inc
228 E 45th street 9E
NY 10017 New York
United States
David Lewis Productions Asia
– Pacific Limited
907 silvercord tower 2
30 canton road
Tsim Sha Tsui, Kowloon, Hong Kong
David Lewis Productions B.V.
Anthony Fokkerweg 61
1059 CP Amsterdam
The Netherlands
David Lewis Productions Inc
228 E 45th street 9E
NY 10017 New York
United States
David Lewis Productions Asia
– Pacific Limited
2512 Langham Place Office Tower
8 Argyle Street Mongkok
Kowloon, Hong Kong
For general questions, hit us up right here and now! For booking requests download the ‘BOOKING REQUEST FORM’ and upload it to the contact form.
for any questions, general information, job applications, inquiries or requests please
just sent us an e-mail to info@davidlewis.nl or click the button below!
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ADIN, spearheads the forefront of a flurry of talented techno producers to come out of the Netherlands. But unlike a large wealth of his native counterparts, Adin’s story has seen the DJ craft his unique sonic style through a colourful past, and amalgamation between the dark and light of his life.
Making a rapid and far-reaching impact on the electronic music scene over the course of his double-decade career, it was the move from Ajdin’s war-torn birthplace of Bosnia to a Rotterdam record store in his youth that marked the first stepping stone on his eventual ladder to success. Taking early inspiration from iconic producers such as Masters At Work, Roger Sanchez and Erick Morillo, it was his dub mix of Sandy Rivera’s ‘Freak’ on Simon Dunmore’s Defected Records that was championed all over the scene.
By 2007, Ajdin had become one of the most in-demand artists in the business, touring worldwide with a schedule of more than 30 shows per month. A technical wizard on the decks, his obsession with house, techno and multiple sub-genres shone through immediately. Stepping things up a notch, it was a meeting with Pasquale Rotella that changed the course of Ajdin’s future as he switched the melodic sounds of his EDC NY set to more dark and industrial tones half-way through the performance. The brave and somewhat adventurous gamble was wholeheartedly rewarded, with Ajdin’s performance ranked as one of Rolling Stone’s “25 raviest moments of EDC.” Always one to go with the moment rather than to meticulously plan out sets, it is this party-ready approach that saw him become a key member of Insomniac’s events early on, playing further sets at EDC Orlando, Mexico, Japan and the Las Vegas showpiece event. Now firmly established as one of Holland’s finest techno exports, Ajdin has also performed at Mysteryland, Sensation, Creamfields, Elrow, the iconic Womb Tokyo venue, Free Your Mind Festival and Free Your Mind with Sasha and John Digweed.
Having honed his craft on vinyl long before his 2004 debut in the production studio, ADIN has amassed universal plaudits via his insatiable back catalogue, vibrant track selections and instinctive ability to read a crowd. Making incredible music that resonates further than just the confines of gruff dancefloor beats, Ajdin’s ADIN alias has garnered a reputation as an innovative and forward-thinking producer & DJ, fusing his driven tones with an emotional blend of melodic techno. Carving a niche signature sound which has seen the Dutch artist amass the support of the finest names in the underground scene, including Joris Voorn, Nic Fanciulli, Maya Jane Coles, Richie Hawtin, Hot Since 82, and Josh Butler, ADIN is also the founder of his own ADIN Records imprint.
With the label playing host to his sumptuous mix of warm underground music, including tracks like ‘Fargo,’ ‘Adria’, and ‘Alive’, ADIN’s infectious devotion to house and techno has found a true calling after many years spent spreading his powerful production prowess across the studio, with deep influenced records that resonate broadly with a respective nod to the producer’s past.
Diversifying his musical output through a combination of atmospheric tracks, ADIN faces 2018 and beyond with a fresh impetus, marking the beginning of an exciting new chapter in the career of the revered producer. Amassing a reputation as an important purveyor of international techno that resonates broadly, ADIN has established himself as a passionate contributor to the scene, cementing his place as one of the genre’s premiere names.
Anamē: Old Norse, meaning: to adapt
Marcus Schössow and Thomas Sagstad have been planning, plotting and dreaming anamē for two decades. First coming together at a house party in Helsingborg, Sweden, the Swede and the Norwegian bonded over a love of artists (Sasha or early Tiesto), labels (Strictly Rhythm, Defected), ethics (“We both wanted to work hard for our dreams”) and ideas. As family life, academic studies, and new homes in different countries threatened to separate them, their old connection drew them back together.
In 2022, the anamē adventure began on Anjunabeats. The duo crafted an emotive collaboration with Above & Beyond and Marty Longstaff on ‘Gratitude’, worked with BLR and Robbie Rise on club anthem ‘Influencer’, and reworked a pair of classics in Lostep’s ‘Burma’, and ‘Tears From The Moon’ by Conjure One and Sinéad O’Connor.
Most recently, the pair remixed Kyan’s ‘Lonely River’ alongside A&B’s Paavo Siljamäki in his P.O.S guise, collaborating again with Paavo on ‘Good People’ for his ‘Deeper Tales’ album.
Their debut album ‘Beautiful World’, featuring the singles ‘Anywhere (Road Trippin’), ‘Someone We Used To Love’ and ‘Must Be Dreaming’, released September 1 on Anjunabeats.
ANDREW RAYEL has been alternately referred to as “the modern day Mozart,” “the next Armin van Buuren,” “the pride of Moldova.” Considered a rare talent even in the highly competitive field of tech-savvy global DJs and producers, RAYEL is a classically trained pianist and musician whose soaring melodies and original compositions have the power to move all who listen. Possessing an otherworldly talent that draws fans from beyond the world of electronic dance music, RAYEL is also a workaholic, constantly striving to master his craft.
As a DJ, ANDREW RAYEL exudes an unbridled enthusiasm for the music he plays and his onstage performances are electric and filled with physical energy. Drenched in a well-earned sweat after every set, RAYEL earns his position as the band-leader of the crowd before him, stirring up their passion as much with his music selection as with his bodily vigor.
He has DJ’d the world’s biggest festivals, including: Ultra Music Festival in Miami; TomorrowLand in Belgium and TomorrowWorld in Atlanta; Stereosonic in Australia; Global Gathering in the UK and other countries; Electric Daisy Carnival in Las Vegas; Electric Zoo in New York; Transmission Festival in various countries; Ministry of Sound in the UK; Dreamstate in San Bernardino; Electronic Family in Amsterdam; Zoukout in Singapore; and Together Festival in Thailand.
RAYEL is also a regular on the lineup at various ASOT stages around the world. Nightclub residencies see ANDREW RAYEL onstage at superclubs including: Marquee Nightclub & Dayclub in Las Vegas; Marquee and LAVO in New York; Ushuaïa Beach Club in Ibiza; Zouk in Singapore and Kuala Lumpur; Escape in Amsterdam; and Ministry of Sound in London.
Andruss, well known in the world of electronics, is originally from the city of Mérida, Mexico, he is a representative of the Tech House nationally and internationally. As he himself mentions, his idea was always to “look for a new focus in the music”, a concern that gave rise to his facet as an artist. In his early years he began to experiment with genres such as Latin House, Tech House with the aim of transcending barriers, existing among the most clubber, danceable and energetic on the scene.
His most recent edit “El Apagón” Today he has the support of Alesso, Zedd, Allende playing his song at EDC Las Vegas 22 and the support of The Martinez Brothers opening their season as residents of the acclaimed club HiIbiza the summer of the same year.
One of the songs with which he opened the gap in his tech house genre was at EDC Mexico who shared the stage with Maxx Gallo and Dmitri Saidi with his song “Voltea” supported by Seth Troxler in the past “Virgil Abloh Forever”.
One of his most outstanding achievements is having reached the #1 position on Beatport Release with “Mueve EP” released under the big label Hot Creations by Jamie Jones and getting support all around the world.
He also reached more than 2 million views of his song “Weak Jam” on the famous Spotify streaming platform under the Candyflip label from Colombia.
Without forgetting the hit that keeps this Mexican on the Spotify, iTunes and Beatport charts: “Right Back” with more than 1 million views, signed on Mark Knight’s label “Toolroom Records” reaching Top #1 in various genres in the most acclaimed stores, backed by Danny Howard on BBC1 Radio as “Premiere Track” on his show with Fisher and also backed by Tiesto on his radio show.
In the same way, his theme ‘Everybody Dance Now’ and ‘Louder’ were in charge of being the “Anthems” of all the “Elrow” parties in 2020 and part of 2021, thus considering him as one of the most recognized producers in the world. Latin American underground/tech house.
Andruss has also shared the stage with great artists throughout his career, such as: Alok, Vintage Culture, Bekermat, Duke Dumont, Pig & Dan, Umek, Mark Knight, Sharam Jey, Kolombo, illusionize among others.
He has participated in several festivals around the world, as well as large Clubs with a long history, the following stand out: Corona Sunsets 2019, Medusa Festival México, Amsterdam Dance Event 2019.
He has the support of great recognized artists in electronic music, such is the case of Alesso, Zedd, The Martinez Brothers, Seth Troxler, Mark Knight, Fisher, Chris Lake, Camel Phat, Wade among many others.
A guiding light. A common language. A connection. All those things epitomize AVIRA’s approach to dance music and the effect he has on his global following. Tickling the sweet spot between left-field melodic techno and genuine dance floor appeal, his music exudes a sense of purpose that appeals to casual listeners and purists alike, making the Canadian creator one of the most exciting acts in dance music today.
Born in Kuwait, raised in Egypt and bred in Canada after moving there when he was eight years old, AVIRA wasn’t remarkably obsessed with music throughout his formative years. That is, until he got tasked with creating a short-movie soundtrack as an assignment in high school and discovered Tiësto’s ‘In Search Of Sunrise’ series on a local radio station in Toronto. The combination of those two things struck a chord in him, pushing him to sit down at his computer and spend every bit of spare time on his new-found interest. He hasn’t gotten off that computer since.
“Music completely changed my life”, AVIRA explains. “As I started taking more and more steps into this amazing new world, I began to understand the effect music can have on people’s lives. And to me, that’s exactly what music is about. It’s about emotional release, about making an impact. It’s the perfect medicine for the mind, and I feel like everyone in the world needs a little bit of that. If I can get as many people into a room as possible and have them open up to my ideas, it can be a healing experience that brings people closer together.”
Recent tracks such as ‘The Worship’ (feat. Diana Miro) and ‘Hollow’ (with Armin van Buuren), which AVIRA singles out as his best work to date, are built on that notion. “With these two records, I feel like I’m finally finding my voice. I’ve been making music for almost two decades now, and I’ve had my records played on A State Of Trance as Assaf for nearly eight years. Coming from that background, I feel that my records will always bear a hint of Trance euphoria, and shifting the focus from Assaf to AVIRA has allowed me to connect with an even wider audience. What matters to me is that I can be the person they go to when they want to feel something, that I can be the captain to their musical journey and a global ambassador for dance music. And if my music can inspire them as others have inspired me, if it can help them find their way just like it helped me find mine, I’ll have fulfilled my own purpose as well.”
It takes little to recognize that Armin van Buuren has been one of the world’s biggest DJs and producers in electronic music for over twenty years. His life-long dedication to the scene has earned him a Grammy® nomination for ‘This Is What It Feels Like’ (feat. Trevor Guthrie) and critical acclaim for global hit singles such as ‘Blah Blah Blah’, ‘Great Spirit’ (with Vini Vici), ‘Leave A Little Love’ (with Alesso) and ‘Music Means Love Forever’ (with Steve Aoki). Additionally, he claimed the number one spot in the annual DJ Mag Top 100 DJs poll for an unprecedented five times, contributing to the twenty consecutive top 5 spots to date (the most recent being a #3 in the DJ Mag Top 100 DJs poll of 2021).
His two-hour radio show, A State of Trance (ASOT), is broadcast weekly from his own radio studio in the Armada Music HQ in Amsterdam to over 44 million listeners in more than 80 countries, as well as online via audio and video live stream on YouTube, Facebook and Twitch. ASOT, which surpassed the milestone number of 1000 episodes in January 2021, has grown from a small radio show into a complete dance music brand with stages and events across the globe.
Armin van Buuren has launched several ‘Armin Only’ world tours throughout the years, including the ones based on his albums (‘Imagine’ in 2008, ‘Mirage’ in 2010, ‘Intense’ in 2013 and ‘Embrace’ in 2016) and ‘The Best Of Armin Only’ in 2017. In 2022, two years later than originally planned due to the Corona pandemic, Armin van Buuren will play his most personal and intimate live shows yet through four sold-out shows in the Ziggo Dome: ‘This Is Me’.
In addition to all of this, Armin van Buuren is the co-founder of Armada Music, the biggest independent dance music label in the world. The Amsterdam-, NYC- and London-based record label, which was founded in tandem with Maykel Piron and David Lewis, is acclaimed internationally for releasing music across the electronic music spectrum, was voted #7 in Mixmag’s “Label Of The Decade” poll in 2017, and is the six-time winner of “Best Global Record Label” at the International Dance Music Awards in Miami, the sixth of which was won in 2018.
As a performer, Armin had headlined countless shows at leading festivals and venues around the world, including Electric Daisy Carnival (Las Vegas, New York), Ultra Music Festival (Miami) and Tomorrowland (Belgium) plus residencies at Hï Ibiza, in Las Vegas and numerous others.
On December 16, 2019, Armin van Buuren joined forces with the World Wide Fund for Nature (WWF) to motivate millions of people to join the movement and fight against plastic pollution. As a Global Oceans Ambassador, Armin will contribute to the worldwide #BeatPlastic campaign: www.arminvanbuuren.com/beatplastic.
To date, Armin has seven full-length artist albums to his name: ‘76’ (2003), ‘Shivers’ (2005), ‘Imagine’ (2008), ‘Mirage’ (2010), ‘Intense’ (2013), ‘Embrace’ (2015) and ‘Balance’ (2019).
www.arminvanbuuren.com
www.astateoftrance.com
www.armadamusic.com
Benjamin Berg (’98) is an Amsterdam based DJ & producer.
Benjamin has been developing his sound by being exposed to many different genres.
He started out dj’ing Hip Hop and R&B in Amsterdam.
Later Benjamin developed more into the electronic music scene. Soon he found out had a big affection to the old school sound of the 90’s, where he could find a lot of good sample based tracks that he could relate to as he did with R&B.
Today most of his inspiration comes from using the MPC2000xl. He looks up to the other artist that used the MPC series in the 90’s to create the music he still loves today!
Serbian born artist Coeus is undoubtedly one of electronic music’s most exciting prospects. Rising in notoriety at an exponential rate through releases on some of the world’s best-known digital imprints, he continues to make strides with his raw and defined sonic signature.
Renowned for his enriching approach to sound engineering, flooding his productions with deep and intrinsic melodic structures, Coeus has built a refined acoustic identity that has garnered support from some of the biggest names in the business.
His work finds itself at home on many of the most
revered labels in the global electronic dance
music space. Releases on Afterlife, Atlant, Oddity and many more have provided a suitable platform for Coeus to share his musical vision with the world, which has been widely embraced and well-received by electronic music lovers around the globe. Receiving regular support from Tale of Us, Solomun, Adriatique, Ame, Dixon, Innellea, Eelke Kleijn, Kevin De Vries and Fideles, among others – is a testament to the quality and ever-growing capacity of his work.
Outside of the studio, Coeus has dazzled with an array of unforgettable performances. Performing across club spaces and festival stages worldwide regularly, he has flawlessly translated a tangible representation of what he strives to achieve through his production work. This approach has seen him perform alongside some of the biggest names in the industry, with 2022 looking to be his busiest year to date.
With his unrelenting approach to telling every chapter of the Coeus story, he continues to strike a resonant chord with the electronic music world through ceaseless artistic perception and emotional connection through sound.
Although Collé may seem like a newcomer, his experience certainly isn’t. With years of production of many different music styles, his involvement and interest in people and cultures ensured that he developed a unique sound, with a lot of emotion and depth. It feels like a new way of expressing himself through his music. In 2018 he took the scene by storm with his track Owami, one of that year’s anthems. Solomun, Âme, Bedouin, and Black Coffee are just a few of the well-known artists who heavily supported the song.
His music to date has been significant, including releases on labels such as Anjunadeep, Stil vor Talent, trueColors and Balance to name a few.. Collé is one of the creative minds behind the label Point in Time. This imprint focuses on a vocal electronic music direction, being mindful to steer clear of clichés, all the while reaching a wider audience with its unique releases.
The first single on Point in Time was Collé’s own ‘Losing Time’ featuring singer and songwriter Kauf. Losing Time was one of Dixon’s secret weapons that year, entering the Beatport Top 100 and Tale of Clubs “Best of 2020”. Always looking for a sound that is timeless yet original, Collé has exciting plans for the near future!
From a young age, Coone has been mesmerized by music in all its different shapes and forms. The creation of his successful label Dirty Workz was a huge step in this young man’s carreer, allowing him to take his music beyond even his own expectations and also giving new talents within the Hard Dance scene a respectable platform to launch new and exciting sounds into the scene.
y the age of 24, Coone was able to lay down an almost impossible feat; completely selling out one of Belgium’s largest venues with over 10.000 Hard Dance fans for an exclusive event – Coone & theGang. The event has certainly become one of Coone’s most memorable moments, a clear pillar in his life which marked the beginning of big things to come and completely opened the Hard Dance scene in Belgium, boosted by national tv and media coverage. As collaborations with some of Hardstyle’s biggest names rolled in, Coone was able to impress the world with his unique sound within Hardstyle, imprinting a distinct signature sound into hisproductions. His experience has lead him towards a new “Challenge”; to create an album in 30 days including collaborations with some of the Hard Dance scene’s superstars. The album was met with great support in the scene, catapulting Coone to new heights.
Coone’s success within Europe has opened up many doors for him as his eyes are fixed on the horizon, towards the international Hardstyle scene in countries such as Australia and the United States, with a World Tour already in the making.
Without a doubt, Coone lives and breathes Hardstyle. His passion shared by thousands of like-minded souls all over the world, each speaking a universal language. Music. A binding force uniting us all.
D Stone (1999) is a Utrecht (NL) based House DJ/producer. From a young age, he grew up in a musical family and instruments were all around him. His father always brought him up with different disciplines within music, so as a young child he has always been surrounded by many different kinds of music.
D Stone started playing the guitar when he was 10 years old and from the age of 15 he really got into electronic music. Besides playing the guitar, D Stone started producing at the age of 16, in which he quickly made a lot of progress. In the same period he also started playing House/Minimal music, digital and Vinyl. During this time, he also got noticed by several organisations and got his first gigs.
Fedde Le Grand is considered to be one of the most defining figures in the fast evolving genre of House music. His influence is felt continually throughout the electronic landscape; Fedde’s beats, grooves, melodies and rhythms surround us all and have done for many years. He’s been credited countless awards and remixed the biggest artists around – from Coldplay, Madonna, will.i.am, Robbie Williams, Everything But The Girl, Fatboy Slim, to Shakira, Rihanna, Mariah Carey, Faithless, and his own all-time musical inspiration Michael Jackson. He’s featured the top half of the acclaimed DJ Mag Top 100 for well over a decade and has just returned to an incredible #22 after first entering at the same position all the way back in 2007. Le Grand is here, to stay.
When it comes to solo records ‘Put Your Hands Up For Detroit’ brought him to global attention, but tracks like ‘The Creeps’, ‘Let Me Think About It’, ‘Back & Forth’, ‘Metrum’, ‘So Much Love’, and ‘Sparks (Turn Off Your Mind)’, confirmed him as a versatile powerhouse in the global Dance music industry. Building to his already impressive musical resume are titles like ‘Long Way From Home’, ‘Rockin’ N’ Rollin’, ‘No Good’, ‘Where We Belong’, and ‘Don’t Give Up’, to more recent additions like ‘Love’s Gonna Get You’, ‘Keep On Rising’, ‘Coco’s Miracle’ and a little trip down memory lane with miss Ida Corr joining next to Shaggy on ‘Firestarter‘ as well as the massive ‘Let Me Think About It’ Celebration rework. While enough to dazzle many, both of his albums ‘Output’ (2009) and ‘Something Real’ (2016) include even more smash titles like ‘Cinematic’, ‘Feel Good’, ‘Give Me Some’ and the massive ‘Rhythm Of The Night’. Establishing him as one of the foremost creative forces in electronic music, Le Grand shows no signs of slowing down. Kicking off 2018 with the releases of ‘Bump ‘N Shake’, ‘Monsta’, ‘You Got Me Runnin’, ‘Flex’ featuring General Levy, ‘Hit The Club’, casually adding three free downloads for charity (icw BBIN x DJ Mag) – ‘The Gaming Beat’ featuring Kris Kiss, ‘You Lift Me Up’ and ‘Scream Out Loud’ – while leading into his thankfully received remix for The Chainsmokers’ ‘Side Effects’.
Millions have witnessed him at the world’s biggest festivals and most legendary dance floors: Ultra Music Festival, Tomorrowland, Untold Festival, Parookaville, Sunrise Festival, Coachella, EDC, STORM Festival, Medusa, Big Slap Festival, Exit Festival, Global Gathering, Creamfields, Electric Zoo, Sziget, Palmesus, SW4, Airbeat One and Sensation to name but a selection, while even more tune in to his Darklight Sessions radioshow each week. Continuing to break boundaries Le Grand ventured into the creation of his own genre-defying show concept, combining live theatre with dance, this show truly is The Next Level In Dance. Developed and only seen in The Netherlands thus far, this show is about to create a shockwave as it hits the rest of the globe.
A touchstone, an inspiration and a true pioneer of sound, he is simply Fedde Le Grand.
Franky Rizardo – one of The Netherlands finest exports in House and Techno established himself as a name
renowned across the globe, synonymous with deep driving music that blurs the lines between Techno
and House.
A regular in Ibiza within the ANTS, Music On and Elrow camps – as well as hitting the decks in iconic venues such as Fabric (London), Shelter (Amsterdam), Amnesia (Ibiza) and Sound (Los Angeles), Franky is further
cementing his status as one of electronic music’s most dynamic individuals.
Entering 2023 – Franky Rizardo saw an expansion of his music with his own label
LTF Records – hitting the no.1 on Beatport with ‘Everybody’ and ‘Out The Fire (At The Hotel’ garnering over 6 million plays on Spotify in hits first year. Launching his FLOW brand in 2015 with good friend Jasper Fioole, the pair have challenged themselves to bring people into the flow state of mind by creating vibrant gatherings and connecting people, whilst creating unique moments to ultimately result in total fulfillment. FLOW hosts over 20 events a year, including stages at festivals like Tomorrowland Festival, Extrema Outdoor and Mysteryland Festival. As FLOW continues to grow, 2023 will see them launch into territories such as the USA, Australia, Asia and beyond, expanding their own FLOW Freedom Festival, as well as hunting down one of a kind, unique locations for intimate gatherings.
Here dawns an expansion of Franky’s career, with exploration into new territories, his ambition and dedication to presenting an unfiltered version of himself remains unparalleled. Always moving forward and, the Dutch artist is unlocking his true potential as a multi-faceted performer and artist.
Gareth Emery is one of the prestigious names in electronic music. A world-renowned songwriter, DJ, and record producer, the British artist is known for racking up millions of monthly listeners, billions of lifetime streams, and repeatedly reaching iTunes #1 in over 25 countries with his prolific discography and fan- favorite productions.
A world-class performer, Gareth’s reputation for shows with jaw-dropping visuals, cutting edge laser design, and live instrumentation make him an undeniable leader in the live space.
Millions have attended his headline shows and festivals around the world, and this year he debuted LSR/CITY – the successor to his world famous laser arena tour Laserface – to a sold out crowd during EDC Week in Las Vegas.
During the back half of 2022, Emery will be launching his most ambitious tour yet: LSR/CITY 2.0 will debut never-before-seen technology and a live performance aspect that’s the first of its kind, raising the bar for multi-sensory live concert experiences yet again.
Creation and iteration form the center of Hollt’s drive; whether in the studio creating music, on the workbench iterating on his self-made controllers, coding new DAW plugins or directing one of his live sets. Notes and nodes, mixing and modeling, coding and composing – it really is all the same for the cum-laude conservatory graduate.
In recent years, Hollt, a.k.a. Jeffrey Frugte, has been steadily solidifying his name; merging melodic elements with a defiling energy, creating stories and blending genres. Hailing from the Netherlands, Hollt moves comfortably between both Berlin’s melodic techno scene, resulting in the underground hit ‘Halos’ on Jonas Saalbach & David Guzy’s Radikon, as well as his UK friends leading to BBC Radio One support on ‘Fusion’, released on ZeroThree.
With his own label ‘die Stube Records’ he has an outlet that allows for full creative and creator control, resulting in ‘Anomia’, the collaboration with Lake Avalon, and most recently releasing his EP ‘Philosophy of Time’.
On stage, Hollt creates a world consisting of melodies and techno, either DJ’ing or playing live with the Holltesizer. Heavily supported by the likes of ARTBAT, Mathame, Adriatique, Innellea, Kevin de Vries, Fideles, Joris Voorn, Coeus, Eelke Kleijn, Jonas Saalbach & more, his music is now reaching more people every day in both his worlds; online and offline.
There’s no next steps; just constant creation, iteration and excitement to take you on this journey!
